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Content Tagged with Technology-News + media

Joss Whedon’s Wacky Web Experiment Kicks Off

Sometimes, a man’s gotta do what a man’s gotta do. In Joss Whedon’s case, what he felt he had to do was make an online musical about a super villain who keeps getting foiled by a hero as he pines after the girl from the laundromat. So he did, funding “Dr. Horrible’s Sing-Along Blog” in “the low six figures” out of his own pocket.


Teaser from Dr. Horrible's Sing-Along Blog on Vimeo.

Whedon, the creator of “Buffy the Vampire Slayer,” knows how to attract passionate fans like no other. So “Dr. Horrible” is almost guaranteed to be a hit, especially by Internet standards. (And we loved it, too — see our review.) But in deciding to release his musical extravaganza online, he got as creative about the business plan as he did about the concept.

The first of three installments of the 42-minute musical was released (with some technical difficulty, due to overwhelming demand and unforeseen geographic limitations) on the evening of Tuesday, July 15. The second one will go live on July 17 and the third on July 19. If you want to stream the ad-supported episodes for free, you must do so before July 20, when they will be taken down. If you want to buy them on iTunes ($1.99 per section or $3.99 for the series), you can hold onto them. After that, the plan is to release a DVD version, either independently or with a studio, that includes an all-new musical by the cast and crew that’s also 42 minutes long, to be called “Commentary!”

“We wanted to make an event out of it, like an old TV event, when you have to be in the same place at the same time,” said Whedon, admitting that part of the motivation was revving the hype engines.

Though some deep thinkers may argue that limiting access to your intellectual property will only dampen demand for it, many producers feel that introducing scarcity is one of their only bargaining chips left on the web. So they will cut deals to show new episodes for 24 hours on MySpace before posting them to their own sites, for example, as Marshall Herskovitz did with “quarterlife.”

But it’s hard to know where fan bases will grow organically online, and as Herskovitz learned (this was before “quarterlife’s” failed debut on television), it’s mighty difficult to emerge from the heap — even if you are famous for making “My So-Called Life” — without a good bit of promotion.

Anyone’s free to experiment on the Internet, of course, but now we’re seeing a new type of grand-scale (and pretty wacky) experimentation.

Seth MacFarlane, for instance, cut a deal with Google AdSense to make a new animated series called “Cavalcade” that will appear in ad units spread around the web on sites with a young male demographic (and also on YouTube, we’ve heard, so you won’t have to scour the web looking for every instance of the ads). Regarding the deal, Google bragged to the New York Times, “We feel that we have recreated the mass media.” The upfront budget for the series was undisclosed, but is apparently “by far the largest amount spent on original Internet content to date,” and revenues will be split between MacFarlane, the company selling the ads, Google, and the web sites on which the ads appear.

Rewarding your fans’ obsessions is good business, especially online, where the true fanatics thrive. And Whedon is having a half-baked, creative, unregulated time of it. If he doesn’t make a profit based on iTunes downloads and ad-supported streams, revenue from the “Commentary!” DVD might make up for it. But while DVD sales and rentals rose 1.6 percent in the first half of this year from the same six-month period the year before, DVD sales for the whole of 2007 famously dropped for the first time ever.

And to be clear, nobody thinks there’s much money in online video, at least not yet. The best estimates put revenue from online video advertising at around $1 billion this year, and paid downloads at somewhat less than that. But iTunes is quickly ramping up sales and the folks at Google are wracking their brains trying to figure out how to make a dime back from YouTube. This is the way people watch content now, for better or worse, so there’d better be some money in it!

How the business side of things will turn out for Whedon remains to be seen, but the upside will undoubtedly be more advantageous for him and the rest of the team than it would have been if they’d funded and released a musical television special or movie. By rejecting traditional financing, ownership and distribution methods, Whedon wasn’t constrained by other people’s content windows, bottlenecks and antiquated arrangements. And so he’s able to meet his fans on his own terms.

This post was originally published on BusinessWeek.com.

Technology-News: GigaOm

The iPhone Line Book Club

While there are plenty of iPhone line-standers poking at a variety of digital devices to pass the hours, a number of iWaiters are working on their summer reading lists with some books. You remember books, right? Square-ish things made of dead trees with words (often written by dead people) in them?

Steve Jobs doesn’t seem to have much faith in books. He told the NYTimes earlier this year: “It doesn’t matter how good or bad the product is, the fact is that people don’t read anymore,” he said. “Forty percent of the people in the U.S. read one book or less last year. The whole conception is flawed at the top because people don’t read anymore.”

Looking at the lines forming in front of Apple stores everywhere, it seems many of Jobs’s own customers are still bibliophiles. A quick poll of the Monday lunch-hour line at Apple’s flagship San Francisco store yielded a diversity of titles:

“The Pillars of the Earth” - Ken Follet
“You Can’t Win” - Jack Black
“Ulysses” - James Joyce
“The Conquest of Bread” - Peter Kropotkin
“Richistan: A Journey Through the American Wealth Boom and the Lives of the New Rich” - Robert Frank
“Snow Blind” - Robert Sabbag
“Dérive à Partir de Marx et Freud” - J. F. Lyotard

One booking-toting iPhone customer told me: “Books might be dead, but reading isn’t.”

What do you think? What reading material did you bring to the iPhone line?

Technology-News: GigaOm

Tour the Homes of the Future (Jet Packs Not Included)

When I told my colleague Stacey that I was going on a tour of Netgear’s home of the future setup, she asked if I would grab her a jet pack. Much to her (and my) disappointment neither Netgear nor HP’s “house of tomorrow”-type setups included personal flying transportation. What they did offer, however, was a glimpse into the future of home entertainment.

Brian Burch, HP’s director of marketing for connected entertainment, took me on a tour of the HP Smart Home, an actual 2,000-square-foot, fully functional house built on the company’s HQ. It’s pretty cool, and packed with gadgets like the MediaSmart TV and Connect, control display for home functions and a teched-out kid’s room that would bring a smile to even the most angst-ridden teenager. Here’s a video walk-through of the house (or as I called it “Cribs: HP”).

Netgear’s set up wasn’t as impressive. For one, it’s really just a big room in an office building, not an actual house, and while HP’s looks like it’s furnished by Pottery Barn, Netgear’s is all IKEA. But, it too was packed with networking gear and gizmos. Phil Pyo, Netgear’s director of product marketing, showed off the room and demoed the company’s TV set-top box, powerline connectivity, as well as some of its storage devices. Take the video tour here:

Sadly, no jet packs this time around. Perhaps if I visit the Pentagon’s home of tomorrow…

Technology-News: GigaOm

How Do You Catch a Photoshopped Fake?

Iran’s missile project may need more rocket scientists to help gets its projectiles off the ground, but its marketing team desperately needs some talented photo retouchers to better cover up its ballistic shortcomings. The duping of numerous newspapers by a digitally altered picture of Iran’s missile test is just the latest case of a Photoshopped picture being taken at face value. But while the sophistication of forgery detection software is way behind that of photo manipulation, with the help of government funding, it’s starting to catch up.

Hany Farid, a computer science professor at Dartmouth College, has developed software for faux photo detection, also known as digital forensics. His lab is funded by the Department of Justice and the FBI, which has already made use of it.

Indeed, with digital evidence being used more and more in the courtroom, both the prosecution and the defense want to be sure that exhibit A is really what it seems. “Any time you have digital evidence, either side can raise the specter of digital manipulation,” Farid said in a phone interview.

Farid’s detection software works by analyzing the patterns in photos. Unaltered photos have natural patterns in terms of lighting, contrast and scale. Altered photos will show unnatural patterns. “There’s no single technique,” Farid explained. “There’s a suite of tools, over a dozen. It’s not ‘Push a button and wait for something to happen.’ It’s very much an investigation looking for specific things.”

And Farid is now starting to see more interest from media circles about his software. He said he’s talked with the Associated Press, which deals with thousands of pictures of day, about using his software to check photos. Today’s Iranian missile photo gives the issue much more urgency. “It’s no longer just Star Magazine and the National Enquirer. Suddenly there are serious geopolitical issues involved.”

Technology-News: GigaOm

Fill Your Grill With Kanye, Whedon and YouTube

You just had to squeeze a little more work in on this Fourth of July holiday, didn’t you? Well, we’re glad you stopped by. But before your fire up the BBQ, take a minute to catch up on what you might have missed over at NewTeeVee.

A federal judge ordered YouTube to hand over its user data to Viacom. If it stands (the Electronic Frontier Foundation says the judge’s order violates federal law), that means Viacom will know all about your secret obsession with making Avril Lavigne’s “Girlfriend” the most-watched video of all time.

Two big-name Hollywood types (and fanboy faves), Seth MacFarlane and Joss Whedon, are experimenting with new content models online. MacFarlane (”Family Guy”) will create “Seth MacFarlane’s Cavalcade of Cartoon Comedy,” an animated series with a multimillion-dollar budget that will be distributed by Google AdSense to targeted sites. Whedon, on the other hand, will release his musical web series “Dr. Horrible’s Sing-Along Blog” in three parts for free, online, for a limited time, then yank them off the web and make the whole show available for purchase.

Speaking of innovative distribution, after being disappointed with the token theatrical release of his indie film “The Nines,” director John August said that “leaking” the film on P2P networks would have built better buzz for the film than playing Sundance. Take that, Robert Redford!

And finally, what better way to wash down those hot dogs than with a little vodka. Kanye West is the latest pitchman for Absolut and created a kooky (though unoriginal) infauxmercial to hawk the beverage.

Now be done with work. Go outside and enjoy the holiday!

Technology-News: GigaOm

For the Future of Marketing, Look to Social Media

There was a time not too long ago when the business implications of social media were unclear; resistance to it on the part of corporations, therefore, was somewhat understandable. Web 2.0 seemed like just the next Internet fad in a series of many, and while it was viewed as having value for individuals and enthusiasts, it didn’t seem viable for corporate use. But corporations need to realize that social media is here to stay — and that in it lies the future of marketing.

According to a recent BusinessWeek article, 11.2 percent of online adults in the U.S. publish content on a blog at least once a month, 24.8 percent read blog content and 13.7 percent comment on it. And the younger the demographic, the higher the number. The days of mainstream media monopolizing information is long gone, with certain blogs attracting millions of visitors each month as people seek out a more personal spin on information. And as the web becomes more social, people are beginning to value relationships and conversations more than the passive consumption of information. BusinessWeek’s concluding advice: “Catch up…or catch you later.”

Social media is a lot more than just blogs, however, and a combination of blogs, social news and networking sites, along with new ways of consuming media online (YouTube, Flickr, Last.fm) have changed the world of marketing and advertising. No longer is it just about broadcasting your pitch and plastering your message all over the place; instead people expect corporations to engage with them through social platforms in a person-to-person fashion. As Bob Metcalfe notes:

People listen better and longer when you just talk to them and listen back. All too often professional marketers lose their credibility by hyperbole, hubris and amplification. It seems to me self evident that just talking with people is more effective than shouting and repeating yourself as if your audience was comprised of deaf idiots.

One term used to describe this evolution is Social Media Marketing; another is Conversational Marketing — a practice that involves engagement and interaction, a two-way communication rather than a one-way flow of information. While some companies continue to struggle with this new form of marketing, others have embraced it wholeheartedly. One such company is Samsung, as is evident in the marketing strategy for their latest phone.

Rather than relying on traditional forms of marketing, Samsung has created brand and product pages on the leading social networking platforms such as MySpace, Facebook and Bebo and has launched a campaign that places the role of marketing the product squarely in the hands of their current (and potential) customers. The company is asking them to record songs and upload them to a community that Samsung has created where others vote for the ones they like best; the four winning songs will be featured in a national radio and online ad campaign.

This is a great example of embracing not only social networks as marketing platforms but also user-generated content as conversational marketing. If it works, it will get Samsung’s new phone marketed through word of mouth, with advertisement campaigns generated by actual people who would use their products.

With clear evidence that brute-force marketing is no longer as effective as it once was, what I find surprising is that more companies aren’t working with their communities this way. They must not understand the value of conversational marketing, in particular of social shopping, whereby people make online shopping decisions based on what their network of friends has previously bought and the recommendations they make. According to an AMA survey from 2006 (the most current I could find), the social shopping industry is already on track to be a multibillion-dollar industry. In the survey, 47 percent of consumers said that they would be open to using social networks to find and discuss holiday gift ideas, 51 percent said that, given the option, they would look for discounts on social networking sites. When it comes to downloading coupons from social networking sites, 51 percent said that they would do that, and another 18 percent said that they would participate on such sites by (reading or) writing product reviews. Most importantly, 29 percent said that they would actually make purchases through these sites.

In other words, if corporations want to make their advertising truly effective, they need to get social.

Muhammad Saleem is a social media consultant and a top-ranked community member on multiple social news sites.

Technology-News: GigaOm

Sit Back & Watch: NewTeeVee Station

Over the past 18 months, there has been quite an explosion of video choices on the web. The number of interesting shows keeps going up by the day, making it harder to keep up with the new, cool stuff that makes Must-See-NewTeeVee. I’ve often wondered, what if there was a web service that collated and curated the best of the NewTeeVee shows, finding cool videos before they became a meme, shows that genuinely entertain? In other words, a web app that took the time to scrub out the noise and deliver the best video experience according to select editors. I wanted a place on the web that would do all that but during the lunch hour — the new prime time — and without cutting into people’s daily Facebook fix.

It was a wild idea, I admit, but it seems like the guys in our little company were up for the challenge, and in less than three months have brought it to fruition. Ladies and gentlemen, I present to you NewTeeVee Station, available now at station.newteevee.com.

Some facts about NewTeeVee Station:

  • Features editorial reviews of online videos written by a team lead by Liz Shannon Miller, who comes to us from Variety and the Daily Reel.
  • Has over 100 NTV shows & videos as part of the launch effort alone.
  • Sports a database of cast, crew and other details to map out the expanding web video universe.
  • Invites readers to become part of the editorial process by adding their own reviews, comments and ratings.
  • Boasts eight channels of the most memorable comedy, commercials, drama, music, news & talk, personalities, reality and zeitgeist picks.
  • Showcases what’s hot at that moment, right on the front page.
  • Can be subscribed to via the Station RSS feed or be bundled with NewTeeVee Feed.

It’s still a work in progress, and will be for a time, as we plan to tweak and improve it each day for the foreseeable future. I didn’t want to place the “beta” tag on it because I feel that the web keeps evolving, and web applications keep growing, just like all of us — and we never put a beta after our names. Om 2.0, however, is OK if you’ve had a heart attack and change your lifestyle and habits. Sorry for that personal digression, but it’s an important backdrop to this new site.

In my opinion, the most unfair part of the job of CEO/founder is taking credit for the work that everyone else puts into making your dreams and crazy ideas become real. So I wanted to set the record straight: This new effort is a testament to the intelligence and excellence of the GigaOM team. Apart from coming up with a harebrained idea back before my heart attack and some occasional Jobs-ian rants, this is the work of the following people:

On the editorial side, Liz Gannes, Liz Miller and Chris Albrecht worked with our tech team of Chancey Matthews and Kyle Johnson. They were all shepherded by Joey Wan, who rose to the challenge and became the project manager for NewTeeVee Station, in addition to helping us out on Structure 08. Mule Design came up with the design to fit with the original NewTeeVee look, and the folks at VodPod worked hard to help us build the viewing widget. Our editors, Carolyn Pritchard and Celeste LeCompte, helped add spit and polish to the editorial content.

Liz on NewTeeVee writes: “I haven’t meant to neglect NewTeeVee lately, I swear. But I have a very good excuse (and a newfound regard for product managers and PR people!)” Yes, it has been a great learning process. Thanks everyone, you made us all proud. When we all gather together soon — we will pop the bubbly! Now let’s watch some NewTeeVee.

Technology-News: GigaOm

And So ISP Enforcement Begins

Virgin Media and BPI (the UK equivalent of RIAA) plan to start sending out warning letters to the ISP’s errant subscribers illegally sharing music over Virgin’s broadband. BPI will identify illegal file sharers and send that information to Virgin Media. The ISP will then send the subscriber two “informative letters,” one from Virgin and one from BPI. Thus begins a plan of action the ISP and music association started back in March. We weren’t impressed with it then, and we aren’t impressed with it now.

Enlisting ISPs to help enforce civil laws on their networks is a slippery slope that could lead to privacy violations, conflicts of interest and lawsuits against the ISPs. Plus, warning people who illegally share music files that what they’re doing is wrong isn’t going to save music sales.

So what that Virgin isn’t disconnecting users who receive warning letters? It’s still a private company working to enforce public laws. There’s a word for that. Vigilante.

Technology-News: GigaOm

Veoh Re-focuses, Blocks Some International Access

Has the long-expected shakeup in the online video industry finally arrived? Video-sharing startup Veoh has blocked visitors from all but 33 countries from accessing its site, a spokesperson confirmed to NewTeeVee today, citing the desire to “re-focus those resources.” She said, “Competition is high in the video space and we want to make sure we’re differentiating ourselves in terms of products and ad platforms to monetize. As a startup we just have to make choices.” To continue reading this story, click over to NewTeeVee.

Technology-News: GigaOm

We Have You to Thank for This

Although we at GigaOM are well aware that we’re part of the next generation of media, much of what we do and how we do it is governed by some of the most basic rules of traditional journalism, a profession whose ethics and mission we hold very dear to our hearts. So we were especially honored to learn that when presented with 10 of the top technology blogs on the web, tech reporters ranked GigaOM as the most credible one.

PR firm Brodeur, a division of Ominicom, teamed up with Marketwire to find out how beat reporters viewed the influence of social media on traditional news delivery; the survey also asked the reporters to rank blogs and other social media sites. From the survey:

Tech reporters ranked Engadget, Gizmodo, and Boing Boing as by far the most popular among the top 10 tested. But when it comes to credibility of content, journalists rated Arstechnica and GigaOm, along with Engadget, the top three sites. GigaOm scored the highest with 45% saying its content was “very credible.”

We have you to thank for this. Our community hold us to an incredibly high standard; if we’re doing something wrong, you are the first ones to tell us. And it is this evolution of media to which we are most dedicated — the ability to continue the conversation with those whose opinions matter to us the most: our readers.

Of course, we are always looking for good writers. If you’re interested in contributing to the site, drop me a line at carolyn at gigaom dot com.

Technology-News: GigaOm

Coming Soon, HBO on iTunes?

I have had a cable TV-free life for almost over a year, though I did subscribed to it when my mother was visiting earlier this year when I was unwell. I have not missed it - though I do miss the thrill of watching the Daily Show with Jon Stewart live. The jokes somehow seem funnier. Apart from that, the only other thing I miss watching was Entourage and a few other HBO shows. Not anymore.

Portfolio.com reports that HBO shows and movies are going to be available on iTunes very soon. The shows are going to be more expensive (because HBO wants a bigger slice of the monies.) My Apple TV is becoming incrementally useable by the month [insert sarcasm]. For HBO, this move could help overcome some of its past broadband TV mistakes. As an aside, thanks to iTunes, I am now seriously addicted to “The Minor Accomplishments of Jackie Woodman.”

HBO’s decision is yet another sign that large video content owners are finally realizing that they can make money off online video downloads and advertising. NewTeeVee has a curtain raiser on the role digital is going to play at this year’s upfronts in New York.

Technology-News: GigaOm

Now Playing On YouTube: Hulu

Updated: We all know there’s no love lost between Hulu, the Hollywood-backed online video service, and Google-owned YouTube. The two companies have taken snipes at each other. For instance, at the NAB trade show, Hulu was trash-talking YouTube. Jason Kilar, the CEO of Hulu, said that you can’t make money by posting unauthorized and copyrighted videos — with a YouTube page behind him.

Hating your rival is part of the game, which is why it’s hard to ignore the irony of a Hulu Channel on YouTube. YES! What you just read is right. The LA Times discovered the channel and posted about it on their blog. Seems a little disingenuous! The reason for the Hulu-on-YouTube channel is pretty basic — YouTube has what Hulu hopes for: traffic and an audience. Hulu has content from its backers. It makes perfect sense for the two of them to start working together. Kilar should remember that you can’t make money by posting to a site that doesn’t have a lot of traffic.

NewTeeVee talked to Hulu and got a confirmation from them that indeed they are the ones who set up the channel for promotional purposes.

YouTube head of premium content partnerships Jordan Hoffner says: “It’s fantastic that Hulu is providing content to our global community and using our platform to grow and drive traffic to their business. Media companies large and small can set up channels or even partner with us to interact with the world’s largest and most active community. “

Technology-News: GigaOm

Exclusive: U.S. Online Video Startups Raised $461M in 2007

Profits may not have arrived for online video, but venture capitalists are still happy to pick up the bill. More and more U.S.-based, venture-backed online video companies are attracting more and more financing each year, according to Dow Jones VentureSource. Some $460.5 million was invested in such startups in 2007, up from $266.9 million in 2006. And already, in the first quarter of 2008, another $217.3 million rained down on the category. NewTeeVee has the exclusive.

Technology-News: GigaOm

For AT&T, U-Verse Is Picking Up Steam

UBS’s John Hodulik, one of the best telecom analysts, has pegged AT&T as his top pick for this earnings seasons and is expecting some good tidings from Ma Bell. What caught my eye in his note this morning was the progress made by AT&T’s IPTV effort, U-Verse. Hodulik says AT&T has added about 135,000 subscribers in the first quarter of 2008, up from 105,000 new subs in the fourth quarter of 2007. (It could have had one more subscriber in Stacey, who is waiting for U-Verse to show up in Austin.)

This means the company could add as many as 975,000 more U-Verse subscribers by the end of 2008. If that is the case, then U-Verse will have done much better than company expected for 2008. At present, U-Verse is available to about 5.5 million homes, but by end of 2008 that number will increase, helping U-Verse penetration.AT&T has forecasted 1 million new U-Verse subscribers for 2008. AT&T had 231,000 U-Verse subscribers at the end of 2007.

Technology-News: GigaOm

The Incredibly Shrinking Music Biz — EMI Shutting Down Some Asian Offices

EMI, one of the global music majors, is shutting down some of its offices in Asia. Offices in Thailand and Singapore have already been shuttered, while regional headquarters in Hong King are ready for the grim reaper, Music 2.0 reports.

All of this is part of the right-sizing moves EMI has been making; it had earlier announced plans to cut thousands of jobs worldwide. The big cuts in the region are going to come in June, Music 2.0 Blog asserts. It also offers up an in-depth analysis of how global music companies blew the big Asian opportunity: ringtones.

EMI’s move makes me wonder how long before the other three music labels — Warner, Universal and Sony-BMG — follow suit. EMI over the past few years has become the canary in the coal mine: It’s not the biggest of the music majors, and as a result, has been open to take more draconian measures to survive the music industry meltdown. Whether it was signing up for DRM-free music or ruthlessly cutting its payroll, EMI has been ahead of the curve, only to see its bigger brethren follow suit.

Technology-News: GigaOm

The Incredibly Shrinking Music Biz. EMI Shutting Down Some Asian Offices

EMI, one of the global music majors, is shutting down some of their offices in Asia. Music 2.0 Blog reports that offices in Thailand and Singapore have been shuttered. Regional headquarters in Hong King are ready for the grim reaper, Music 2.0 reports. All this is part of the right-sizing moves EMI has been making. It had earlier announced plans to cut thousands of jobs world wide. The big cuts in the region are going to come in June, Music 2.0 Blog asserts, and offers up an in depth analysis of how global music companies blew the big Asian opportunity: ringtones.

It is thus frustrating to note the column inches devoted to so-called innovative concepts in the US and Europe like Spiral Frog, Q-trax, Imeem and last.fm and their courting of major labels when Asian label executives themselves had been rebuffed for years by their head offices to approve similar deals in their home countries.

EMI’s move makes me wonder how long before other three music labels - Warner, Universal, and Sony-BMG follow suit. EMI over past few years has become the canary in coal mine: they aren’t the biggest of the music majors and as a result have been open to take more draconian measures to survive the music industry meltdown. Whether it was signing up for DRM free music, or ruthlessly cutting its payroll, EMI has been ahead of the curve, only to see its bigger brethren follow suit.

Technology-News: GigaOm

Adobe Launches Media Player

Adobe today launches its Adobe Media Player, a product we’ve been following closely. AMP channels RSS feeds for streaming and download of online video from partners such as MTV and CBS. The Adobe Air-based software has a simple UI that feels a bit like a file organization system. Full report on NewTeeVee.

Technology-News: GigaOm

Joost CEO On US & Global Plans, Cutbacks

Mike Volpi, CEO of Joost, spent his first weekend in California in many months dealing with the blowback from a story in The Sunday Times (of UK) that has the company scaling back its global ambitions in favor of a US-only focus. We talked earlier this evening, and Volpi said none of those things are actually true. (PaidContent had talked to Joost spokesperson earlier today.)

“We are focusing on US, Western Europe, China and a few other Asian markets,” he told me. “Taking a more measured approach to our expansion, and keeping it in sync with markets where online advertising is mature enough.” Volpi pointed out that Joost launched in China two weeks ago, and has recently signed content partnerships in Scandinavia. When you add to the mix UK, France and a couple of other Western European countries, Volpi said it is pretty obvious that the company is not scaling back from its global ambitions.

“What we are not doing is chasing every market, because as a start-up we need to be focused,” Volpi added. Due to its heritage - it was started by Skype co-founders Niklas Zennstrom and Janus Friis - Joost had received a lot of press coverage. God knows, I wrote about them a few times. The fact that it is run by Volpi, a highly regarded former Cisco executive and funded by the likes of uber VC funds Sequoia Capital and Index Ventures, it is hardly a surprise that Joost is being closely scrutinized. The company raised about $45 million in May 2007.

Joost was supposed to be the delivery vehicle for Hollywood content in the US. Instead, Hulu, a web-based video company backed by major networks chose its thunder and market, leaving Joost scrambling to play catch up. It has Viacom and CBS as its primary US partners, and it clearly needs to sign-up more A-list type content providers. Furthermore, the BBC’s iPlayer (where the former Joost CTO currently works), Kangaroo and other players are beginning to challenge Joost on its turf in Europe as well.

That said, the company doesn’t have much room for error. It needs to quickly improve its client and platform. Joost client has been subject of much criticism. Volpi knows that. He said that Joost is going to announce a new web-based platform in a few months. (We offered them 5 ways they can get out of trouble. Anil Gupte had listed 7 reasons they could be in trouble.)

When I asked Volpi about layoffs, he said that company realigned its work force. A few people were let go recently, as I first reported for NewTeeVee. Many contractors were cut as well.

As a result Joost of today is a trimmer version of its former self, thanks to pruning by Volpi, who became Joost CEO in May 2007. Some of these details were outlined in a Portfolio article. I tried to pin down Volpi on the total number of employees the company currently has, but he would not comment.

Rafat in his report says that Joost has about 100 employees. By that yardstick and my own not-quite-confirmed-data, that’s a head count reduction of around 35 to 40. Volpi said that the company is adding more “engineering” folks in their New York office and contrary to published reports has no plans to shut down the Netherlands operation.

Photo by Joey Wan.

Technology-News: GigaOm

Six of One, Half Dozen of the Other?

The UK music industry is losing billions in CD sales every year due to the illegal downloading of music by some 6 million broadband users, according to an article today in the Telegraph. It’s prompted Virgin Media to join forces with music industry trade group the BPI to institute a crackdown “which could see dozens of customers sent warning letters.”  Geoff Taylor, BPI CEO, was quoted as saying, “This is not the time for ISPs to delay further. Government clearly shares the creative community’s frustration at the failure of ISPs to take action.”

Let me take you through that logic as it is understood by the music industry. First, they acknowledge that music sales are way down. Next, they point to the fact that music sales started to plummet when the Internet became popular in the late 1990s. (Because clearly the Internet was devised to allow illegal music downloads.) Since ISPs allow customers to connect to the Internet, government needs to regulate the ISPs. As argued by the BPI and Virgin Media, stopping illegal downloads by dozens of customers will bring back music sales. This argument is insane, ludicrous and severely questions the intelligence of anyone who articulates it.

If there is, in fact, some merit to it, then let’s go straight to the source — have governments regulate the production of microprocessors. Without microprocessors you cannot have a computer, without a computer you cannot connect to the Internet and ruin the music business. If you have read any of my previous posts on this topic, you know I have taken to task U2’s manager and UK ISPs, not to mention writing a bitterly sarcastic, Swift-like proposal to disconnect the Internet to save music.

The music industry suffers from the delusion that illegal downloads are the cause of their evaporating business. The simple truth is that those of us living in the 21st century do not need the music industry. Promotion, distribution and sales can be done without them – look at the Radiohead experiment from last year and sites like MySpace Music.

Everyone on the planet besides those antiquated souls that work for the music industry sees that the market has changed. Why are organizations like the BPI and Virgin Media looking for the UK government to save their business? Instead of using your time to trying to force regulation, here’s a novel thought — produce a product that has value and see what happens.

Technology-News: GigaOm

Blurb Wags the Long Tail

In a few weeks, online bookmaking site Blurb will launch a new community called BlurbNation, a section of the Blurb site where people can connect with a professional designer that will take their photos, stories, recipes or any other images and pull them together into a book. Such a move is aimed at expanding Blurb’s business beyond the 90,000 books it printed in 2007 — and to take it out of the red.

Blurb, which was founded in 2004, launched its site in April of 2006 and is on track to turn in breakeven results this year, is both a digital bookmaker and an example of yesteryear’s big Internet trend: The Long Tail (It seems so long ago, but it was only three-and-half years ago that Anderson wrote about the idea in Wired). Since we move at digital speed, we’ve already discarded that trend (and possibly refuted it) for social everything. But true business growth doesn’t take place at that harried clip, it typically requires the five to seven years allotted by VCs for their investment time frames.

00 Those time frames are there for a reason. Blurb CEO Eileen Gittins Blurb says the company exceeded its revenue expectations by 40 percent last year. (In 2007 she told Time she anticipated sales between $5 million and $10 million for the year.) And in the quarter following its launch late last year in Europe, sales from the continent have climbed to account for 17 percent of total overall revenues from a mere 2.5 percent.

To me this is a nice reminder to avoid focusing solely on the trend du jour, but also to keep in mind that much of the world runs at business speed, and that it’s the people out in the rest of the world that break a technology site into the mainstream.

Blurb makes books, nothing terribly technical about it, until you think about how impossible it would be, before the Internet existed, to source, edit, design and print 90,000 different titles in a single year. Its biggest customers are corporations trying to create memorable advertorials, though artists and average Americans also pull together their own works of art. Blurb competes with other online publishers LuLu and Xlibris, but has the lead in high-end photobooks.

The cool thing about marrying the digital medium with one that began in 1040 with the first Chinese printing presses (sorry Gutenberg), is that when it comes to user-generated content, Blurb may end up making UGC profitable before YouTube does. Profitability isn’t everything and I’m not sure how Blurb could ever reach more people than YouTube, but it’s nice to talk to an online service that can make money in the here and now.

Technology-News: GigaOm

Move Over — This Is Radio 2.0

For decades radio and later, MTV, were the dominant and proven marketing channels for the music industry. The symbiosis was, on its face, an elegant one: Radio and video promoted the product for free/fee, retail outlets sold it, and everyone made gobs of money. Radio, while still powerful, is no longer perceived as the vibrant marketing channel for music it once was. MTV certainly isn’t.

They’ve been replaced by the web — in particular, by social networking communities and blogs. This is Radio 2.0. While I don’t blog about music as much as I’d like, I still get pitched very regularly by music promotion companies on new music. I can only imagine how much music blogs like Pitchfork, Brooklyn Vegan and bloggers like Fred Wilson get pitched. Moreover, the labels are embracing social networks as a new channel — the EMI/Sigur Ros/YouTube and Warner Bros/REM/iMeemiLike tie-ups are cases in point. Of course Clear Channel and MTV (outside of the U.S, at least) will still get plenty of world premieres, but I suspect this will decrease as MP3 blogs and social networks continue to gain relevance and audiences.

“Tell me something I don’t know,” you may sigh. Well, it’s unclear that these sites actually generate commerce revenue the way traditional marketing channels have. If that continues to be the case, then the artists and labels will have to figure out how to get a big enough piece of advertising and other revenue streams to warrant “giving” their content to these new channels. Regardless, we are seeing a changing of the guard: Maybe Pitchfork founder Ryan Schreiber is the new Jann Wenner; Ali Partovi or Dalton Caldwell, the new Bob Pittman.

Based out of London, Raghav “Rags” Gupta is VP of International Partnerships at Brightcove, where he has worked since ‘05, prior to which he was a senior executive at Live365. His blog can be found at www.ragsgupta.com. The views expressed here are personal and do not necessarily reflect those of any company with which he is affiliated.

Technology-News: GigaOm

Ericsson all ready with 700 MHz gear

The 700 MHz auctions are finally coming to a close, meeting most if not all expectations. And soon this will set off a network buildout frenzy, especially among the upstarts who end up winning this precious spectrum. Ericsson, the mobile equipment maker, is betting that they will call them for their network gear needs. It will support HSPA for now and in 2009 Ericsson will bring to market products based on 4G technology called LTE. If your technology choice is WiMAX, which is another technology that might be in the running for the 4G sweepstakes, call someone else.

Technology-News: GigaOm

Oh Hulu! Ready For The World?

Hulu is launching tomorrow and has signed Warner Bros., Lionsgate, the NBA, and the NHL. The site also features premium web content from Vuguru, WatchMojo and WineLibrary TV. Hulu has come a long way for its early days when it was referred to as Clown Co by many including yours truly. Now it needs to find a mainstream audience.

With $100 million VC funding it has a long rope to build a business. On a personal note, during my sick days, Hulu was a constant companion, providing laughs on demand. I might have changed my mind about Hulu, but will others find the service attractive? More @ NewTeeVee

Technology-News: GigaOm

That Jangl You Hear is Sales

The web-to-mobile calling efforts are starting to get interesting. Last week Jaxtr talked about how it planned to make money by selling ads, and today Jangl launches its own ad efforts tied to a partnership with Pudding Media. The plan is to target pre-roll ads on Jangl’s existing voice calls and SMS messages by using location and demographic information provided in the profiles on various social media sites.

Jangl has already made money by selling the ability to receive calls without giving out a phone number on dating web sites, but the ad efforts are targeting bigger money. Jangl’s CEO Michael Cerda estimates the CPMs are around $30 to $60 for SMS messages ads, and around $10 for voice. Now that revenue is entering the equation, we should soon have less subjective ways to judge who is successful in this crowded market. Sales are a better metric than user numbers when it comes to figuring out which services will succeed.

Technology-News: GigaOm