The latest skirmish in the ongoing Viacom v. YouTube billion-dollar lawsuit battle is over how YouTube employees used their own site. It’s been a nutty couple of weeks for the high-profile case. First a federal judge ordered YouTube to hand over its user data to Viacom. Then Google asked to have user identifying information stripped out. Viacom denied it ever asked for that data (it did) and then said it didn’t want user information after all. Still with us? Now the news is that Viacom wants YouTube employee user information. If the media conglomerate can show that employees were aware of or upoloaded copyrighted material to the site, YouTube could lose its protection under the DMCA. [Full Story on NewTeeVee]

The 10 hours of video uploaded every minute to YouTube could be a problem for Google’s infrastructure. Video files are fat and people don’t want to wait long once they press play, which means keeping them requires a trade-off between fast access and cheap storage. A range of companies are trying to address these sorts of storage problems through compression, caching and even Flash memory in the data center.
But since you can’t cache everything, the recent study from Tubemogul, which shows that online videos get the most views in the first three days (with the peak demand occurring on Day Three), can help set caching policies. Dropping a video from the cache after 11 days would mean only half of the video’s viewers would be tormented with a slightly slower upload time.

YouTube is making a big API push in an attempt to make itself pervasive in the online video ecosystem. While it might seem like this is an attempt to take on white label video providers, Google-owned video service denies that, and is dangling its huge audience as a lure. NewTeeVee has the details on this story.

There is no love lost between Google and Microsoft. Same holds true for Viacom. So it doesn’t come as a surprise that Microsoft and Viacom have announced a deal that’s essentially You scratch my back and I scratch yours — and with about $500 million worth of scratching. Here is a precis of the news announcement:
What Microsoft Gets:
What Viacom Gets:
Who is the winner? The five-year-deal is pegged at a base value of $500 million, though the two sides are not talking precise financial terms. I suspect it’s going to favor Viacom.
Viacom doesn’t have to spend anything and at the same time it is getting advertising dollars and more distribution for their content. I get a feeling that, going forward, this is going to become a template deal for all large media companies with content assets. For them it’s a green light to pillage Microsoft’s overflowing coffers.
Deals like this will increase the pressure on Google to do similar ones with other content providers, mostly to thwart Microsoft’s advertising ambitions.

YouTube co-founder Steve Chen during an onstage chat at our NewTeeVee Live conference responded to our questions about video quality by saying that YouTube will boost the quality of the videos, but not at the expense of user experience. Buffering and video playback delays were an anathema to the popular destination site, and YouTube would be careful about how it tackled the issue of video quality.
The company was experimenting with ways to gauge the speed of broadband connections and improve the video quality accordingly, he said. He told C/Net WebWare that this technology would be available widely over the next three months. Somehow it all got misconstrued into YouTube offering high-definition videos on their site, an erroneous message that was repeated quite a few times, and eventually settling into a debate about high-definition vs. high-quality videos.
What matters more? It all depends on the screen the video is destined for, opined panelists on my Network Makeover panel preceding our conversation with Steve. They were almost unanimous in pointing out that that HD video on a PC screen doesn’t matter.
Verizon’s Jeff Harris summed it up best when he said that resolution is dependent on the destination screen. A big plasma screen should get HD video, but most laptop screens don’t need HD and you can’t really tell the difference between higher quality and HD videos on, say, a 14- or 15-inch screen. Cisco’s Kip Compton rightfully pointed out that the trend is towards higher quality. I think that is something we can all agree upon.
What do you think? What is the minimum acceptable quality you want from your web video?
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This morning, between fielding phone calls, answering emails and writing blog posts, I have been watching TV, a lot of TV…on Hulu, the new online video portal backed by NBC (GE), News Corp. (NWS) and $100 million in funding from Providence Equity Partners.
Before I go any further, a mea culpa: I mocked the service, and its backers, all through the summer. From the moment I learned about the new company, I was skeptical. And now, after spending three hours or so on the service, I am ready to eat crow. And not just any crow, but rotten, six-month-old crow: I have never been more wrong.
Now to my first impressions: This is an awesome service, one that worked flawlessly on my Macbook Pro and ThinkPad T61 without a hitch. The quality of the video shows is good enough to enjoy without straining the eyes, and even in the full-screen mode, the Flash video looks pretty amazing.
As Liz had noted yesterday, the site is clean, sparse and well laid out, taking a cue from the on-the-air (old TV) roots of its parents. And I can use this service to catch up on all the episodes of “Scrubs” I’ve missed.
Hulu doesn’t seem like a YouTube (GOOG) competitor. (This is yet another thing I was wrong about.) What it really is trying to do is time shift — and place shift — television on a massive scale. It’s basically an attempt to counterbalance the tight control that cable and satellite networks have over distribution.

It’s the kind of service that should scare startups trying to develop their own distribution platforms, such as Joost. It is also the kind of service, if it can attract enough viewers, that could succeed in relegating YouTube and others like YouTube to the “user-generated content” world, at least in the U.S. market. The social media features alone, such as sharing, are good enough to get Hulu some traction. I loved the ease with which you can create short, embeddable clips from full-length TV episodes, and the slider-based clip-and-share feature is pretty awesome.
Hulu has a long way to go before it can claim an audience as large as YouTube’s, and no one knows how much pressure it will face from its distribution partners, such as the cable companies. There are already rumblings about the draconian terms of service, and it’s unfortunate that its big media parents are restricting the site to web-based streaming and expiration dates for fresh episodes of new shows. But I think that when the beta becomes publicly available, you are going to be pleasantly surprised. For once, I am happy to be wrong.
Google’s (GOOG) new initiative to distribute YouTube videos through their AdSense network, wrapped and nicely packaged inside AdSense ads seems to be such a big deal, but it really is not. In fact, it is not quite smart, and shows that Google is still struggling to figure out how to make money from its YouTube acquisition. And that doesn’t change with this new effort, which in my opinion has four major challenges.
Google will share the AdSense $$$s with video creators and web site owners (who place the AdSense-boosted videos on their sites.) Is this going to get video type CPMs or the same pennies you typically see on an AdSense ad-unit? This won’t add up to much if it is the later.
The program is limited to some specialized video content creators, as the New York Times points out.
The new offering will match content of the video and the website the AdSense units. Given the debatable accuracy of AdSense just in text ads, I am skeptical of this claim.
How about website visitors: will they really care of these video AdSense units? Text ads worked because they were less intrusive than the monstrosities that passed for display ads back in the day. Video-enhanced AdSense seems to be a rerun of that story!