Judging by the geek cocktail buzz I keep hearing over RocketOn, the web-based “parallel virtual world” being developed by the Bay Area startup with the same name, I’m not the only one excited about its Sept. 15th launch. RocketOn CEO Steve Hoffman and Co-founder Eric Hayashi stopped by the GigaOM office this week to give me a preview — including an advance look at some recently added features that should help boost RocketOn as it comes out of alpha.
While RocketOn is web-driven, it isn’t a virtual world chatroom like Lively or IMVU; instead, the web itself is your playspace. A Flash-driven browser plug-in with Java and open source code running the back end, RocketOn adds a transparent layer onto every web page you visit; your avatar sits atop of the layer, where it can socialize with other users. In the screenshot above, for example, three RocketOn avatars engage in shenanigans on top of GigaOM. The girl on the left is commenting on the funky glasses worn by the guy pictured in Stacey’s post, while the two dudes on the right are watching a heated battle between their pet monsters.

“Monsters are what the guys want,” Hoffman explained to me, grinning. “It’s that simple.” They’re still working on the combat system, Hayashi added, but the basic idea is that players can own the monsters, as well as train them, give them special powers, and take them into arena-style battles with other players.
The other new RocketOn feature they showed me is depicted in the second screenshot: interactive quests with characters that take players on adventures across the web, in search of clues and precious items to accomplish their mission. (In this case, to Wikipedia, to help a wayward explorer repair his time machine.) Many of these mini-quests will fit into a larger RocketOn narrative, while others will be developed by their sponsoring partners; Hayashi suggested a campaign built around an action movie, with clues strewn throughout the web that would ultimately lead to the film’s home page. (Fun for players — and a revenue stream for the company.)
In development since April 2007, RocketOn literally began with a dream in which Hoffman envisioned tiny people walking across the web. As he explained, while we know there are thousands of individuals simultaneously browsing popular web sites at any given time, what if we could actually see and interact with them in some meaningful way? The desire to enable such interaction is growing: Weblin operates under a similar conceit (though targeted at an older audience), as does PMOG.
Some fast facts about RocketOn:
Revenue
- Free to play, RocketOn’s main revenue streams will be through the sale of virtual currency (for ROCKETON item purchases) and advertising deals.
- There are two types of virtual currency: Rocketpoints, which are earned by playing, and Rocketdollars, which are purchased with cash ($5 for 500 R$) though credit cards, Paypal, SMS, etc.
Play Features
– If thousands of users visit the same web page, RocketOn creates multiple “room” overlays associated with that page, for 8-12 users each.
- Besides combat monsters, users can own, feed, and train virtual pets — although they will wander off into the web if you don’t care for them well enough.
- Virtual items can be can dragged and dropped into the web playspace for more interactivity (i.e. fireworks that explode, or notes that can be read by other users.)
- Avatars have user profiles and experience points; leveling up gives you access to more exclusive items and secret rooms.
- While players can interact in a wide variety of ways, there are no hugging or kissing options. (”IMVU is all about that,” Hoffman told me, “and we’re sorta in a different space.”)
Company Stats and Plans
-RocketOn is backed by $5 million in Series B funding from D. E. Shaw Group
- The company tracks the most popular sites for users with a viewable leaderboard; it eventually plans to aggregate and leverage the data.
- While it’s currently teen-focused (”Those will probably be early adopters,” said Hoffman), the company has plans to broaden the demographic appeal.
- RocketOn intends to open up its system to developers, companies and independent artists in order to create new games, avatars and items with revenue share.
- It’s not planning to create a Facebook widget; instead, you’ll import Facebook functions (friend feeds, etc.) into RocketOn.
- Hoffman envisions RocketOn’s virtual currency evolving into a microcurrency similar to frequent flier points for use with partners’ products, etc.
- As RocketOn grows, said Hoffman, “We kind of want the audiences to segment” all over the Internet, socializing on sites based on their interests.

Second Life is either peaking or busy crossing the chasm, depending on who you believe. IMVU stealthed its way to tons of users. Club Penguin found its windfall by figuring out how to reach children safely. Blizzard had revenues of $1.1 billion last year. Qwaq makes private virtual worlds for the enterprise. And there are dozens more. Do we really need another?
Then along comes Lively. At first blush, as James points out, it’s a me-too play. But Google’s other projects may mean it can do things other virtual worlds can’t.
First, of course, there’s advertising. Google can sell wall space. All those walls are good real estate for interstitial video ads. And social ads are better: Recommendations in your friends’ rooms cut through the advertising clutter, which makes Lively a good vehicle for social advertising without inviting the Beacon Creepy Stalker Guy along for the ride.
Second, Google has payment. Not only for buying in-game things, but for purchasing the physical equivalent (through Googlebase, paid with Checkout.)
But Google Earth (acquired from Keyhole) and SketchUp (an incredibly easy-to-use modeling tool bought in 2006 and subsequently released for free) are far more interesting. Google already has millions of structures, both those it built itself and those its community built. They’re mapped to a planet with coordinates and roads. Put the two together and Google’s in the real estate business:
“Mr. Trump, the folks from Google are here.”
“Fine, send them in.”
“Hi, Donald. Would you like to buy Trump Tower?”
“What? I own Trump tower!”
“We meant the Lively/Google Earth version.”
“Get the hell out of my office! You’re fired!”
“OK, then, crack dens and whorehouses it is…”
“Wait a second…”
If you’re in advertising, it’s all about location. Anyone want virtual Madison Avenue?

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Flying under the proverbial radar for the last four years, the web-based virtual world chatroom IMVU has released new jaw-breaking data: Since April 2004, it has amassed 20 million registered accounts, with 600,000 of those active monthly users. By comparison, Second Life took five years to acquire about 550,000 active users.
The company, well known to web surfers because of its ubiquitous ads, is now earning $1 million a month in revenue, 90 percent of that from the sale of virtual currency and 10 percent from banner ads embedded in its interface, CEO Cary Rosenzweig said. That works out to about $1.66 a month per active user. By VC Jeremy Liew’s estimate, market leaders Habbo Hotel and Club Penguin are earning $1.30 and $1.62 monthly average revenue per user, respectively. How did IMVU grow?
Most of IMVU’s massive catalog of avatar clothing, accessories and other objects available on its online catalog are made by the users themselves. They purchase those items from each other with IMVU credits. (A block of 1000 costs you $1.) IMVU then takes a cut of the profits for each virtual item sale, with the rest going to the individual user.
The result: fresh quality content produced on a regular basis by energized creators. “It’s my personal belief there’s maybe in the order of dozens who are doing this for a living,” Rosenzweig said. “Perhaps hundreds who are doing it for spending money.”
Some more notes:
While not yet profitable, the company plans to roll out pre-paid IMVU currency cards in Target, Blockbuster and other major retail chains in the next two weeks. With light 3-D graphics and cute-sexy cartoon avatars that appeal to girls and young women, it’s easy to see IMVU dominating its particular niche in the virtual world ecosystem, roughly dead center between Second Life and Barbie Girls.
