sorted by: recent | see :
popular
Content Tagged mixing
Pro Audio Gear: Focusrite Liquid Mix Control Surface w/ FireWire and Plug-Ins
FEATURES * Any Compressor and EQ in history - Dynamic convolution delivers 20 classic EQs and 40 compressors, with more online. * The finest classic and vintage emulations - Liquid technology is considered by many to deliver the finest vintage and classic emulations. Can you hear the difference? Take the Challenge and find out. * Onboard DSP - 32 Channels of Liquid Mix Compression and EQs run off Liquid Mix`s own DSP - many more than are possible with CPU alone. * Software and Hardware control- EQ and Compression can be applied via a hands-on control surface, or within your DAW application via a simple GUI. * Hybrid Super EQ creation- Unique 7-band super EQs can be created, constructed from separate classic EQ sections of your choosing. * Desktop Metering - Large format LED bar-graphs mean ergonomic display of levels and processor impact. * Optional Expansion Card - An optional DSP expansion card is available to increase the maximum channel count at higher sample rates
Pro Audio Gear: Focusrite Liquid Mix Control Surface w/ FireWire and Plug-Ins
Working on Low budget Films And Audio
I had previously worked with Pro Tools at college and knew my way around it, so it seemed the logical step to work with it again so I could hit the ground running. I managed to get myself Pro Tools LE 5.3.1 and the Digi 001 hardware to run on a PC that I bought off of eBay for around $500, and by Christmas 2002 I had edited my first scene. Working with Pro Tools, I used only the basic Audio Suite tools, and I was limited to working on a single computer screen, so the edit window and the QuickTime movie had to share space. Soon after I started, I tested my mixes through a couple of different speakers via DVD. I know the general consensus is that films these days are way too loud and would have greater impact if they were more dynamic, but even so, I tried to match the roaring Hollywood spectaculars buckling under the weight of their own noisiness.
Freak Out: The Perils and Pitfalls of Low Budget Audio for an Indie Film
Pro Audio Gear: Focusrite Liquid Mix Control Surface w/ FireWire and Plug-Ins
FEATURES * Any Compressor and EQ in history - Dynamic convolution delivers 20 classic EQs and 40 compressors, with more online. * The finest classic and vintage emulations - Liquid technology is considered by many to deliver the finest vintage and classic emulations. Can you hear the difference? Take the Challenge and find out. * Onboard DSP - 32 Channels of Liquid Mix Compression and EQs run off Liquid Mix`s own DSP - many more than are possible with CPU alone. * Software and Hardware control- EQ and Compression can be applied via a hands-on control surface, or within your DAW application via a simple GUI. * Hybrid Super EQ creation- Unique 7-band super EQs can be created, constructed from separate classic EQ sections of your choosing. * Desktop Metering - Large format LED bar-graphs mean ergonomic display of levels and processor impact. * Optional Expansion Card - An optional DSP expansion card is available to increase the maximum channel count at higher sample rates
Pro Audio Gear: Focusrite Liquid Mix Control Surface w/ FireWire and Plug-Ins
AVM Matrix Audio Mixer/Video Switcher
The Intelix AVM is the single-box solution for all your audio-visual system needs. Designed for flexibility, the AVM seamlessly routes any combination of audio and video sources. This means AVM splits and individually routes the audio and video from single audio/video devices, such as DVD players and VCRs.
Intelix.com - AVM Matrix Audio Mixer/Video Switcher
What Are The Tricks To Mastering
on this post - (1) PostsTo me i think the one thing that makes your mastering sound like a master till you put it throw a eq mastering equipment or plugins.
http://www.brainworx-music.de/
I use these guys on my final master and it does wonders
Duke University’s Pratt School of Engineering Research 3D Sound Cloak Technology
Those nutters at Duke University’s Pratt School of Engineering have come out of their labs to inform us that 3D sound cloaking technology is theoretically possible. What the F is 3D sound cloaking? Well, it seems that using special acoustic material would “essentially open up a hole in space and make something inside that hole […]
No TagsJZ Microphones Reveals The Black Hole Microphone
JZ Microphones has taken the wraps off their new multi pattern studio microphone, The Black Hole. Despite the ominous name, the compact Black hole microphone features an original design and a patented variable sputtering of the diaphragm, using a specially mixed alloy for coating. The Black Hole is produced with three switchable polar patterns (Omni, […]
No Tags