sorted by: recent | see :
popular
Content Tagged with post + Google
Is .fm sites For Musicians The Future for Thier Music Content?
AM/FM Has Been synonymous with with Radio since its very existance. so why would it be hard to belive that a .fm at the end of an artist website wouldn’t be the way to go. Insted of haveing a account a Last.fm You are your Own Scratchpro.fm.
You would certainly stand out more in the pile of .com’s they have burried in google and now digg. Im wonder just as im typing this should i buy a few domains from BRS Media and snatch me a couple of radio names that haven’t jumped on this.
If you have a popular radio staion in your area and they have a website but its a dot com. You should do a double check on them to see if they have in the .fm name and if not. Well lets just say domain name selling is up and its not getting any cheaper.
.fm, artist website, audio products, audio research, audio school, belive, brs media, burried, digg, domain name, existance, google, insted, link post, links, Music Business, new site, radio, radio staion, snatchHere Are Some Common Facts About Frequencies
Frequencies
As a studio engineer knowing your frequencies is almost as important then knowing the equipment. The more intune your mix the better it sounds to the listener.
audio engineering, audio research, audio school, band frequencies, cycles per second, encoding audio, frequencies, google, hertz, human brain processes, human voice, intune, link post, links, low frequencies, midrange, stereo mix, studio, studio monitors, studio engineer, technoratiAs encoding audio, it is important to understand how sound operates and at what frequencies the human brain processes audio data. The human ear is tuned to a very narrow audio vibratory band. Frequencies are usually described in units called Hertz (Hz), which simply translates as “cycles per second.”
Typically, humans cannot hear frequencies below 20Hz or 20 cycles per second, nor above 20kHz or 20,000 cycles per second. While hearing abilities vary from one individual to the next, it’s generally true humans perceive midrange frequencies more strongly than high and low frequencies, and that sensitivity to higher frequencies diminishes with age and prolonged exposure to loud volumes. Past the age of 35, most adults cannot hear much of anything above 16kHz, although women tend to preserve the ability to hear higher frequencies later into life than do men. The most sensitive range of hearing for the average listening audience hovers between 2kHz to 4kHz, a level probably evolutionarily related to the normal range of the human voice, which runs roughly from 500Hz to 2kHz.